Beethoven thought Cherubini was the greatest. Here is his Horn Sonata #2 in F major / Largo – Allegro moderato (6:45)
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Cherubini
Cherubini Composers - Ignored and Almost forgotten!
Cherubini String Quartets
Posted on December 14, 2009Cherubini was BIG – back in his day – but pretty much ignored and forgotten until recently. (see the post Cherubini for how he was admired by Beethoven and other great composers) Here are a few comments about his String Quartets:
“….. his six late string quartets. Fastidiously crafted and supremely musical, these quartets recall Haydn, Beethoven, and Mozart in their superior thematic workmanship and classical sense of balance. They’ve ranked among the best-kept secrets of quartet lovers for years…”
Wilhelm Altmann, writing in his Handbuch für Streichquartettspielers (Handbook for String Quartet Players) about Cherubini’s six string quartets, states that they are first rate and regarded Nos. 1 and 3 as masterworks.
So here’s a “best kept secret” and one of the ‘masterworks’. Approx. 15 minutes of String Quartet enjoyement.
From Cherubini’s String Quartet #3 – the second and third movements
Cherubini String Quartet
Cherubini String Quartet third move
Bortkiewicz Cherubini Composers - Ignored and Almost forgotten! Glazunov Hummel Hunt! Opera/Vocal Rubinstein
Obscure and underdog Composers. Why obscure?
Posted on August 9, 2008In the case of Johann Nepomuk Hummel (1778 – 1837) there doesn’t appear to be a good reason as to why he has become somewhat obscure. At the time he was composing; his music and compositions were spoken of in the same breath as Beethoven and Mozart. (see Hummel and Hummel Hunt on the right)
BUT … it’s a different story with SERGEI BORTKIEWICZ. He suffered every possible trauma from the Russian Revolution, The First World War … and the Second WW too! Even Nazi persecution! Constantly fleeing this, or losing that. How can a musician function? As he wrote:
“I’m writing to you from my bathroom where we have crawled in because it is small and can be warmed on and off with a gas light (!) The other rooms cannot be used and I cannot touch my piano. This is now! What awaits us further ? Life is becoming more and more unpleasant, merciless. I teach at the Conservatory with the heat at 4 degrees, soon even less! […]”
So here’s the Second (the shortest) Movement to Borkiewicz’ Piano Concerto #1 in B minor Op. 16. The passionate “theme” in this movement is so beautiful it could probably spawn a Popular Hit! (maybe it already has and I just don’t know it)
Hey! – I just listened again … and wonder?! Is there inspiration for George Gershwin here?
Bortkiewicz piano concerto no. 1 second movement
Another one from the list Lance sent me of “obscure / underdog” Composers. Lance says that this is his favourite violin concerto! So it’s gotta’ be worth a listen. WARNING: it’s Long!
Glazunov violin concerto in a minor op-82-moderato-andante-allegro
Anton Rubinstein
Not to be confused with the great pianist Artur Rubinstein, born in 1887, Anton Rubinstein, an even greater performer in his time and a clear rival to Liszt and other great pianists of the 19th century, had a marked effect on the development of music in Russia, establishing the first system of professional musical training at a new Conservatory in St. Petersburg in 1862.
Rubinstein grand sonata for piano 4 hands second movement
ANOTHER “Underdog” Luigi Cherubini (1760-1842) Italian composer who spent most of his working life in France.
Talk about being cheated out of fame and posthumous recognition!!! Just read what was said about him … by “Them” – back then! And then listen to a movement from that vocal piece “They” raved about.
Posterity has a habit of elevating the obscure and neglecting the famous. Thus it is that Cherubini, hailed by Beethoven as ‘the greatest living composer’, is today often forgotten; ‘If I were to write a Requiem, Cherubini’s would be my only model’, Beethoven continued and the work was performed at his funeral in 1827. Schumann’s opinion was that it was ‘without equal in the world’. Berlioz considered that ‘the decrescendo in the Agnus Dei surpasses everything that has ever been written of the kind’.
Cherubini requiem-no-1-in-c-minor-agnus-dei
ANOTHER “Underdog” Luigi Cherubini (1760-1842) Italian composer who spent most of his working life in France.
Talk about being cheated out of fame and posthumous recognition!!! Just read what was said about him … by “Them” – back then! And then listen to a movement from that vocal piece “They” raved about.
Posterity has a habit of elevating the obscure and neglecting the famous. Thus it is that Cherubini, hailed by Beethoven as ‘the greatest living composer’, is today often forgotten; ‘If I were to write a Requiem, Cherubini’s would be my only model’, Beethoven continued and the work was performed at his funeral in 1827. Schumann’s opinion was that it was ‘without equal in the world’. Berlioz considered that ‘the decrescendo in the Agnus Dei surpasses everything that has ever been written of the kind’.
Cherubini requiem-no-1-in-c-minor-agnus-dei