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September 2008

Haydn Heeeer's Haydn!

Heeeeer’s Haydn!

Franz Joseph Haydn (1732 – 1809)

It took me long enough to get around to him! I just had no idea how inovative, spontanous and delightful his music is. I’d only heard a handful of pieces and they brought to mind folks in powdered wigs dancing around stiffly! How wrong I was. Here are a few comments about him and his music:

By one estimate, Haydn produced some 340 hours of music, more than Bach or Handel, Mozart or Beethoven. Few of them lack some unexpected detail or clever solution to a formal problem. …. – In many ways Franz Joseph Haydn, the quintessential composer of the period of eighteenth century Enlightenment, is the father of modern music.

Haydn treated composing more as an exalted craft in which he delighted in endlessly experimenting. A close look at his music reveals many daring gambits of harmony and form. His endless humor and wit are palpable as is the warmth of his humanity. As Haydn once wrote, “Since God has given me a cheerful heart, He will forgive me for serving him cheerfully.”

***I also found a reference to his being the ‘least neurotic’ of the Great composers! ***

Inventive, playful and humorous, not neurotic!, willing to experiment … and a Master composer. What else could you want?!

This first piece is so cool! So Zen. BUT Not for everyone!

The silences are as important as the music … AND you have to wonder: “What’s gonna’ happen next?! Keep in mind this is the 18th century! – not a modern L.A. or Paris jazz pianist! UPDATE 18 months later: I only just heard it now. This is one of those pieces where Glenn Gould would hum along with his piano playing! You can just hear him in the background. I think most recording companies removed the humming!

From the last 6 Sonatas: Hoboken XVI – no. 48 Andante con espressione

Hoboken-xvi-no-48-i-andante-con-espressione

 

One of his famous Symphonies: “The London” / Finale

Symphony-no104-London op180 finale spiritoso

 

Symphony #3 in G major / second movement Just “kick back”!

Symphony 3 g-major 2nd movement

 

Haydn is often called the father of the symphony: in fact Haydn is more literally the father of the string quartet … Re: The following “Sun Quartets” – The music is broader and richer than in Haydn’s earlier, simpler quartets, with more interesting interplay (interesting for both listeners and performers) among the instruments.

String-Quartet-no-25-fuga-a-quattro-soggetti

 

String Quartet 28 third movement affetuoso-e-sostenuto

 

String-Quartet-no-25-moderato

 

And finally – here is a fascinating look into the man himself.

http://www.bbc.co.uk/dna/h2g2/A1047214


Glass Houses - Throwing Stones Glass, Phillip

Glass Houses – Throwing Stones

I’m going to throw a couple of stones.

A friend recently returned a CD favour after I’d given him one of my “favourites.”

His offering had a preponderence of Glass pieces.

Phillip Glass is lauded and beloved by many. But where did his inspiration come from? Has he acknowledged ‘The Greats” who have influenced him? I’m not sure. I wasn’t willing to GoogleForever to find out.

He’s loved by millions for his Popular themes, including those used in Blockbuster movies and such. BUT – is there substance there? When he decides to “sock it to us”; Do we feel the real guts of a Tchaikovsky melody? The emotional intensity of Chopin/ Liszt/ Rachmaninoff? Or the  hypnotic magic of an Eric Satie number? (*Whatever! … it is irresistable stuff isn’t it?*)

You – Beloved Listener – decide!

From Wikipedia:

Many describe his music in the minimalist vein as mesmerizing; others hear it as numbingly repetitive and devoid of variety in its simplicity. The latter view of his style is itself simplistic and fails to take into account the many subtleties and complexities found in his methods. Glass’ mature style embraces more to take into account the many subtleties and complexities found in his methods. Glass’ mature style embraces more than just minimalism and thus must be viewed being more eclectic and far less dogmatic.

Wish I would see you again

 

Island

 

Truman Sleeps

 

Candyman


Beethoven Beethoven Can Do The Greatest

Beethoven Can Do

HE CAN DO:

Soothing Chamber Music

Quintet in E flat major for 3 horns, oboe and bassoon / second movement

 

Absurd and Zen-like! (the Diabelli variations are in the “Piano freaks only” section)

In the second half, there is a remarkable pianissimo passage where the treble holds a chord for four full bars while the bass repeats a little three-note figure over and over, eight times, after which the melody proceeds as if nothing out of the ordinary had happened.

As if nothing out of the ordinary had happened! I love it.

Diabelli variation 3

 

Can Do: “Spooky”

The Ghost Trio was so named by Czerny because the second movement reminded him of Hamlet’s Ghost in Shakespeare. In fact, Beethoven’s notes reveal that he was working on an idea for an opera based on Macbeth, and interspersed with these notes are the sketch of a slow movement for the Trio.

Piano trio 5 in d major second movement

 

Fun, humorous, “cheeky” ala Mozart

Piano sonata 15 third movement

 

Simple/Profound

These two pieces are examples of the “simplest” pieces of music being the most difficult to play properly! He “casts a spell” with the most basic melody, and I think epitomizes claims to his being “The Greatest”

Fur Elise

 

Moonlight Sonata