Monthly Archives:

May 2010

Beethoven Haydn Piano

Beethoven and Haydn

Beethoven IS  “The Greatest.” (IMHO)

Did Beethoven ‘inherit'(or use and transform to a higher level): Compositions from Haydn?

Did Beethoven rely on – or come back to Haydn for inspiration? … Haydn’s  humor, spontaneity and Joie de vivre? … and the ability to transform pure ‘sweetness’ into a challenging/deeper probing? This a question for “Scholars”? Let’s just listen!

Well … Beethoven dedicated this piece to Haydn. (*played by Paul Lewis) You be the Judge. How much does Ludwig owe Haydn?!

Beethoven Sonata No. 2 in A major Op. 2 No. 2 III. Scherzo. Allegretto

 

How about watching a new ‘hot shot’ play the same piece? Rafal Blechacz.

Here’s one comment when Rafal Blechacz won all five first prizes! … at the 15th International Frederick Chopin Piano CompetitionWarsaw According to ABC News, one of the judges, Professor Piotr Paleczny, said that Blechacz “so outclassed the remaining finalists that no second prize could actually be awarded.”

Another judge, the distinguished Irish pianist John O’Conor, said “He is one of the greatest artists I have had a chance to hear in my entire life,” according to PBS. Blechacz was the first Pole to win the prize (given every five years) since 1975, when Krystian Zimerman[1][2][3][4][5] won.

What a sweet, honest and straightforward man he appears to be!


Female Composers Schumann Schumann, Clara Women!

Deathbed Request

Consider: What music would someone want to hear when they knew they were dying?

It’s especially fascinating to consider when that someone had devoted their entire life to music. She met and collaborated with some of the 19th Century’s greatest composers: Married and lived with one of those Great composers.

That was Clara Schumann – Robert’s wife – a musical heroine if there ever was one! (Google her to find out why she was such a Heroine, raising 8 children, touring Europe and taking care of her husband – it’s a great story)

She asked to hear this piece on her deathbed.

In March 1896, Clara Schumann suffered a stroke. Her friend Johannes Brahms canceled plans for an Italian vacation to wait for news of her improvement. On her deathbed, she asked her grandson Ferdinand to play her husband’s F-sharp major romance for her. That was the last music Clara Schumann heard. She died May 20, 1896. Brahms attended the funeral. He died eleven months later.

Robert Schumann: Romance in F# Op.28

Robert Schumann: Romance, Op.28 in F sharp


Schumann

Why is this so familiar?

I just googled for way too long .. trying to tie this piece into a movie theme, because it sounds SO familiar I assumed it must be a movie or TV theme. Couldn’t find anything. Perhaps someone took the main theme and ‘popularised’ it?

Schumann’s Marchenbilder op. 113 no. IV

If you can help send me an email jimji@internode.on.net

Marchenbilder (Fairy Tales), Op. 113 IV. Langsam, mit melancholischem Ausdruck


Love

Right on Amadeus!

Neither a lofty degree of intelligence nor imagination nor both together go to the making of genius. Love, love, love, that is the soul of genius.”

Mozart


Piano Satie

Worth a Repeat

This piece is already on the site (see: A Little Satie and then some more!) -  under Blog Titles.

I thought it was worth putting it out again on it’s own, instead of just part of a Satie medley. I like it a lot. How ’bout you? (*this version is played a bit faster and with more intensity than some I’ve found and it sounds “right” to me)

Did something Transcendent happen? … somewhere?

Eric Satie 5ieme Gnossienne Modere